Film & Video Art
Nicole Welch’s film and video works record performances, installations and natural phenomena on Country. Using infrared cameras, time-lapse photography and cinematic techniques, she explores time, perception and inherited representations of the Australian landscape. With an emphasis on in-camera capture and minimal post-production, her works extend, compress and reconstruct time.
Night
Night explores the nocturnal lives of native and introduced species on Wiradyuri Country near Hill End, NSW. Using motion-activated infrared cameras, Nicole Welch records the movements of animals through a single location over several months, revealing activity that ordinarily remains unseen.
As foxes, deer, possums and other animals pass through the same landscape at different moments, their recorded movements are layered into a cinematic sequence. Time is compressed, allowing separate encounters to appear simultaneous and creating unexpected relationships between species that may never meet.
Working between observation and constructed narrative, Night challenges conventional perceptions of the Australian landscape. The absence of the artist behind the camera allows the animals to occupy the frame on their own terms, while the infrared imagery reveals a world shaped by movement, coexistence and the passage of time.
Night, 2024 (preview)
HD infrared, monochrome, sound, aspect ratio 16:9
14:00min
Edition of 6, 2AP
Provenance
2026 Heysen Prize for Landscape Hahndorf Academy, Hahndorf, SA
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2026 Unveiling the Night, Orange Regional Gallery, Orange, NSW
2024 Unveiling the Night, ARTEREAL GALLERY, Sydney
Yarrahapinni
Yarrahapinni is an infrared time-lapse film documenting the tidal flow into the Yarrahapinni Wetlands on the NSW Mid North Coast, the traditional Country of the Dunghutti (Thungghutti), Gumbaynggirr and Ngamba nations. The work reflects the regeneration of a once highly acidic wetland, now restored to a thriving estuarine ecosystem through the reintroduction of natural tidal flows.
The restoration project, undertaken by the Water Research Laboratory in collaboration with NSW National Parks, has improved water quality and encouraged the return of mangroves, saltmarsh, birds and fish. Scientific monitoring techniques, including satellite imagery and infrared mapping, informed Welch’s approach to recording the changing environment.
Constructed from 4,800 high-resolution photographs captured over several hours, the film compresses time to reveal the movement of water through the landscape. Presented within an antique gilded frame, Yarrahapinni draws upon the conventions of historical landscape painting while incorporating technologies used to measure environmental change.
Unlike works that contemplate ecological loss, Yarrahapinni offers an affirmative perspective on the capacity for damaged ecosystems to recover through informed intervention.
Yarrahapinni (preview), 2019
single channel HD infrared time lapse – 3:21mins
50 inch screen, gilded frame
edition of 3
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2023 From the Studio, the Artists of Hill End, Hill End Art Gallery, NSW
2020 Sydney Contemporary Presents, online Art Fair, MAYSPACE, Sydney
2020 Kangaroo Valley Art Prize, Kangaroo Valley Hall Gallery, Kangaroo Valley, NSW
2020 Listening in the Anthropocene, H R Gallery, Charles Sturt University, Wagga Wagga, NSW
2020 Yarrahapinni, MAY SPACE, Sydney
2020 The Manly Dam Project, Manly Art gallery & Museum, NSW
Transformation
Transformation – Journey & Arrival is a two-channel moving-image work from Nicole Welch’s ongoing Self series, which began with Illumination in 2012. Conceived as a moving memento mori, the work uses the artist’s body as both subject and apparatus within the landscape.
Filmed in the Blue Mountains the two sequences follow a physical journey through the bush and an arrival at a waterfall. Through these performances, Welch considers the symbiotic relationship between the human body and the natural environment, where physical endurance, vulnerability and the passage of time become inseparable. The waterfall marks a moment of transition, evoking renewal, mortality and transformation.
This work was created in the Blue Mountains National Park, NSW which is located on the traditional Country of the Darkinjung/Darkinyung, Dharawal/Tharawal, Dharug/Darug, Gundungurra/Gandangara, Wonnarua/Wanaruah and Wiradyuri/Wiradjuri peoples.
Videographer, Luke Aguirre; Skeleton drawing, Genevieve Carroll; Photographer, Bill Moseley; photographer; Project site manager, Ross McDonald.
Transformation – journey (preview)
HD video
11:29min
edition of 6
Transformation – Arrival (preview)
HD Video
4:51min
edition of 6
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2025 Acquired by the Manning Regional Art Gallery for its permanent collection
2020 Altered States, Shoalhaven Regional Gallery, NSW, 30 November 2019 – 8 February [date as shown; verify]
2019 Sydney Contemporary, Carriageworks, Sydney
2019 Black Box Projects, MAY SPACE, Sydney
2019 Finalist Naked & Nude Art Prize 2019, Manning Regional Art Gallery, NSW [screenshot appears to contain a year typo]
2018 Artstate Bathurst – 2018, Tremain’s Mill, Bathurst, NSW
Transformation: the prelude
Constructed from 1,000 infrared photographs, this moving-image work captures a waterfall in an unnatural spectrum of light and colour beyond human vision. Water flows rapidly before reversing in a continuous loop, disrupting its natural movement.
Rather than presenting the waterfall as a tranquil, meditative scene, Welch accelerates its movement, creating a sense of tension and anticipation. The repeated reversal suggests an interruption to the natural order, reflecting the artist’s concerns about the prolonged drought affecting the Central West of New South Wales at the time of its creation.
Through time-lapse photography, the work compresses and reconstructs time, transforming the waterfall into an unsettling, perpetual cycle.
This work was created at Dangar Falls, NSW which is located on the traditional Country of the Gumbaynggirr people.
Transformation: the prelude (preview)
infrared timelapse – 9:41mins
HD video, sound, 2018
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2026 Bathurst Regional Art Gallery presents ‘Transformation: the prelude’ by Nicole Welch on the OUT THERE Digital Platforms, Bathurst, NSW
2019 Nicole Welch, Black Box Projects, MAY SPACE, Sydney
2019 Stillness & Motion, Adelaide Perry Gallery, Sydney
2018 Transformation: the prelude, Black Box Projects, MAY SPACE, Sydney
Sydney Contemporary, Carriageworks, Sydney
Wildēornes Body
Wildēornes (Old English): a land inhabited only by wild animals.
Wildēorness Body explores environmental loss and uncertainty alongside the artist’s acknowledgement of her own mortality. Draped in an 1880s Victorian Chantilly lace mourning shawl, Welch lies upon a large mirror reflecting the sky and surrounding tree canopy. The mourning shawl, a symbol of grief and remembrance, and the physical endurance of holding the pose draw parallels between the vulnerability of the human body and the natural environment, revealing their symbiotic relationship.
This work was created in the Blue Mountains National Park, NSW which is located on the traditional Country of the Darkinjung/Darkinyung, Dharawal/Tharawal, Dharug/Darug, Gundungurra/Gandangara, Wonnarua/Wanaruah and Wiradyuri/Wiradjuri peoples.
Wildēornes Body
time-lapse film, sound
10:34min 2017
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2019 5th International Motion Festival, European University, Cyprus
2018 Black Box Projects, MAY SPACE, Sydney
2017 Windmill Trust Scholarship 20th Anniversary Retrospective, Murray Art Museum Albury, NSW
2017 Sydney Contemporary, Carriageworks, Sydney
2017 Wildēornes Land, MAY SPACE, Sydney
2017 Acquired by Bathurst Regional Art Gallery
2017 Wildēornes Land, Blue Mountains Cultural Centre, Katoomba, NSW
2017 Cementa17 Contemporary Arts Festival, Kandos, NSW
Wildēornes Land
In Wildēornes Land – Chantilly Wildēornes – Swamp, an 1880s Victorian Chantilly lace mourning shawl hovers above the water, taking on a bird-like form as it interacts with its reflection. Floating, swooping and turning, the shawl moves in and out of the frame, its delicate fabric contorting and quivering.
Reflections recur throughout Welch’s work, where natural surfaces act as mirrors, creating illusions that challenge our perception of what is real. In this single-channel video, the physical landscape and its reflection coexist, blurring the distinction between the two. The sky appears within the water, creating a landscape within a landscape, where image and reflection become inseparable.
This work was created in the Blue Mountains National Park, NSW which is located on the traditional Country of the Darkinjung/Darkinyung, Dharawal/Tharawal, Dharug/Darug, Gundungurra/Gandangara, Wonnarua/Wanaruah and Wiradyuri/Wiradjuri peoples.
Wildēornes Land
Chantilly Wildēornes – swamp 2017
HD digital video – 15:01min
Provenance
2023 WEST OF CENTRAL, Bathurst Regional Art Gallery, NSW
2019 Stillness & Motion, Adelaide Perry Gallery, Sydney
2017 Wildēornes Land, Blue Mountains Cultural Centre, Katoomba, NSW
East West
East West captures the changing sky from day to night, reflected in an antique mirror placed on the ground. Constructed from 3,000 photographs taken over twelve hours, the film considers the sky as an enduring navigational guide, historically used to traverse, map, contest and claim land.
Clouds and stars move across the mirror in a hypnotic sequence, compressing twelve hours into a shifting reflection. Recorded time (past) unfolds in the present, inviting contemplation of the relationship between time, landscape and our understanding of place.
East West
time-lapse film, sound
3:30min, 2015
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2019 Stillness & Motion, Adelaide Perry Gallery, Sydney
2018 Black Box Projects, MAY SPACE, Sydney
2018 Silence & Solitude: select works from Eastern Interiors, Glasshouse Regional Gallery, Port Macquarie
2016 Length and Breadth: new acquisitions from the Parliament House art collection, Parliament House Canberra, ACT
2016 Eastern Interiors: explorations from Bathurst to Albury, Bathurst Regional Art Gallery, Bathurst, NSW
Purchased by Parliament House Art Collection, Canberra, 2015.
2015 Eastern Interiors: explorations from Bathurst to Albury, Murray Art Museum Albury, NSW
2015 Sydney Contemporary, Brenda May Gallery, Carriageworks, Sydney
Purchased by Bathurst Regional Art Gallery, 2015.
2015 Eastern Interiors: explorations from Bathurst to Albury, Brenda May Gallery, Sydney
Lament
Lament records the gradual deconstruction and reconstruction of an illuminated chandelier. In contrast to the Illumination photographs, where the chandelier hangs above the landscapes of eastern Australia as an assertion of colonial possession, here it is removed from the landscape, isolated and contained.
Crystal by crystal, the chandelier is dismantled in a slow, deliberate sequence, becoming a lament for the cultural and ecological losses inscribed upon Country. Played in reverse, its reconstruction suggests the enduring influence of colonial ideologies on how Country continues to be perceived and understood.
Presented on a continuous loop, Lament moves between dismantling and restoration, repeating without resolution.
Lament
time-lapse film
5:20min 2012
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
Lament: Nicole Welch, Murray Art Museum Albury, 15 May to 12 June 2016.
Acquired by Bathurst Regional Art Gallery, 2015.
Acquired by Murray Art Museum Albury, 2015.
Love. Lament. Loss, Black Box Projects, Brenda May Gallery, 29 Sept to 24 Oct 2015.
Lament, Black Box Projects, Brenda May Gallery, 15 July to 9 Aug 2014.
Illumination: New Work by Nicole Welch, Bathurst Regional Art Gallery, 10 Aug to 23 Sept 2012.
© 2026 Nicole Welch. All rights reserved.
Nicole Welch’s film and video works record performances, installations and natural phenomena on Country. Using infrared cameras, time-lapse photography and cinematic techniques, she explores time, perception and inherited representations of the Australian landscape. With an emphasis on in-camera capture and minimal post-production, her works extend, compress and reconstruct time.
Night
Night explores the nocturnal lives of native and introduced species on Wiradyuri Country near Hill End, NSW. Using motion-activated infrared cameras, Nicole Welch records the movements of animals through a single location over several months, revealing activity that ordinarily remains unseen.
As foxes, deer, possums and other animals pass through the same landscape at different moments, their recorded movements are layered into a cinematic sequence. Time is compressed, allowing separate encounters to appear simultaneous and creating unexpected relationships between species that may never meet.
Working between observation and constructed narrative, Night challenges conventional perceptions of the Australian landscape. The absence of the artist behind the camera allows the animals to occupy the frame on their own terms, while the infrared imagery reveals a world shaped by movement, coexistence and the passage of time.
Night, 2024 (preview)
HD infrared, monochrome, sound, aspect ratio 16:9
14:00min
Edition of 6, 2AP
Provenance
2026 Heysen Prize for Landscape Hahndorf Academy, Hahndorf, SA
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2026 Unveiling the Night, Orange Regional Gallery, Orange, NSW
2024 Unveiling the Night, ARTEREAL GALLERY, Sydney
Yarrahapinni
Yarrahapinni is an infrared time-lapse film documenting the tidal flow into the Yarrahapinni Wetlands on the NSW Mid North Coast, the traditional Country of the Dunghutti (Thungghutti), Gumbaynggirr and Ngamba nations. The work reflects the regeneration of a once highly acidic wetland, now restored to a thriving estuarine ecosystem through the reintroduction of natural tidal flows.
The restoration project, undertaken by the Water Research Laboratory in collaboration with NSW National Parks, has improved water quality and encouraged the return of mangroves, saltmarsh, birds and fish. Scientific monitoring techniques, including satellite imagery and infrared mapping, informed Welch’s approach to recording the changing environment.
Constructed from 4,800 high-resolution photographs captured over several hours, the film compresses time to reveal the movement of water through the landscape. Presented within an antique gilded frame, Yarrahapinni draws upon the conventions of historical landscape painting while incorporating technologies used to measure environmental change.
Unlike works that contemplate ecological loss, Yarrahapinni offers an affirmative perspective on the capacity for damaged ecosystems to recover through informed intervention.
Yarrahapinni (preview), 2019
single channel HD infrared time lapse – 3:21mins
50 inch screen, gilded frame
edition of 3
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2023 From the Studio, the Artists of Hill End, Hill End Art Gallery, NSW
2020 Sydney Contemporary Presents, online Art Fair, MAYSPACE, Sydney
2020 Kangaroo Valley Art Prize, Kangaroo Valley Hall Gallery, Kangaroo Valley, NSW
2020 Listening in the Anthropocene, H R Gallery, Charles Sturt University, Wagga Wagga, NSW
2020 Yarrahapinni, MAY SPACE, Sydney
2020 The Manly Dam Project, Manly Art gallery & Museum, NSW
Transformation
Transformation – Journey & Arrival is a two-channel moving-image work from Nicole Welch’s ongoing Self series, which began with Illumination in 2012. Conceived as a moving memento mori, the work uses the artist’s body as both subject and apparatus within the landscape.
Filmed in the Blue Mountains the two sequences follow a physical journey through the bush and an arrival at a waterfall. Through these performances, Welch considers the symbiotic relationship between the human body and the natural environment, where physical endurance, vulnerability and the passage of time become inseparable. The waterfall marks a moment of transition, evoking renewal, mortality and transformation.
This work was created in the Blue Mountains National Park, NSW which is located on the traditional Country of the Darkinjung/Darkinyung, Dharawal/Tharawal, Dharug/Darug, Gundungurra/Gandangara, Wonnarua/Wanaruah and Wiradyuri/Wiradjuri peoples.
Videographer, Luke Aguirre; Skeleton drawing, Genevieve Carroll; Photographer, Bill Moseley; photographer; Project site manager, Ross McDonald.
Transformation – journey (preview)
HD video
11:29min
edition of 6
Transformation – Arrival (preview)
HD Video
4:51min
edition of 6
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2025 Acquired by the Manning Regional Art Gallery for its permanent collection
2020 Altered States, Shoalhaven Regional Gallery, NSW, 30 November 2019 – 8 February [date as shown; verify]
2019 Sydney Contemporary, Carriageworks, Sydney
2019 Black Box Projects, MAY SPACE, Sydney
2019 Finalist Naked & Nude Art Prize 2019, Manning Regional Art Gallery, NSW [screenshot appears to contain a year typo]
2018 Artstate Bathurst – 2018, Tremain’s Mill, Bathurst, NSW
Transformation: the prelude
Constructed from 1,000 infrared photographs, this moving-image work captures a waterfall in an unnatural spectrum of light and colour beyond human vision. Water flows rapidly before reversing in a continuous loop, disrupting its natural movement.
Rather than presenting the waterfall as a tranquil, meditative scene, Welch accelerates its movement, creating a sense of tension and anticipation. The repeated reversal suggests an interruption to the natural order, reflecting the artist’s concerns about the prolonged drought affecting the Central West of New South Wales at the time of its creation.
Through time-lapse photography, the work compresses and reconstructs time, transforming the waterfall into an unsettling, perpetual cycle.
This work was created at Dangar Falls, NSW which is located on the traditional Country of the Gumbaynggirr people.
Transformation: the prelude (preview)
infrared timelapse – 9:41mins
HD video, sound, 2018
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2026 Bathurst Regional Art Gallery presents ‘Transformation: the prelude’ by Nicole Welch on the OUT THERE Digital Platforms, Bathurst, NSW
2019 Nicole Welch, Black Box Projects, MAY SPACE, Sydney
2019 Stillness & Motion, Adelaide Perry Gallery, Sydney
2018 Transformation: the prelude, Black Box Projects, MAY SPACE, Sydney
Sydney Contemporary, Carriageworks, Sydney
Wildēornes Body
Wildēornes (Old English): a land inhabited only by wild animals.
Wildēorness Body explores environmental loss and uncertainty alongside the artist’s acknowledgement of her own mortality. Draped in an 1880s Victorian Chantilly lace mourning shawl, Welch lies upon a large mirror reflecting the sky and surrounding tree canopy. The mourning shawl, a symbol of grief and remembrance, and the physical endurance of holding the pose draw parallels between the vulnerability of the human body and the natural environment, revealing their symbiotic relationship.
This work was created in the Blue Mountains National Park, NSW which is located on the traditional Country of the Darkinjung/Darkinyung, Dharawal/Tharawal, Dharug/Darug, Gundungurra/Gandangara, Wonnarua/Wanaruah and Wiradyuri/Wiradjuri peoples.
Wildēornes Body
time-lapse film, sound
10:34min 2017
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2019 5th International Motion Festival, European University, Cyprus
2018 Black Box Projects, MAY SPACE, Sydney
2017 Windmill Trust Scholarship 20th Anniversary Retrospective, Murray Art Museum Albury, NSW
2017 Sydney Contemporary, Carriageworks, Sydney
2017 Wildēornes Land, MAY SPACE, Sydney
2017 Acquired by Bathurst Regional Art Gallery
2017 Wildēornes Land, Blue Mountains Cultural Centre, Katoomba, NSW
2017 Cementa17 Contemporary Arts Festival, Kandos, NSW
Wildēornes Land
In Wildēornes Land – Chantilly Wildēornes – Swamp, an 1880s Victorian Chantilly lace mourning shawl hovers above the water, taking on a bird-like form as it interacts with its reflection. Floating, swooping and turning, the shawl moves in and out of the frame, its delicate fabric contorting and quivering.
Reflections recur throughout Welch’s work, where natural surfaces act as mirrors, creating illusions that challenge our perception of what is real. In this single-channel video, the physical landscape and its reflection coexist, blurring the distinction between the two. The sky appears within the water, creating a landscape within a landscape, where image and reflection become inseparable.
This work was created in the Blue Mountains National Park, NSW which is located on the traditional Country of the Darkinjung/Darkinyung, Dharawal/Tharawal, Dharug/Darug, Gundungurra/Gandangara, Wonnarua/Wanaruah and Wiradyuri/Wiradjuri peoples.
Wildēornes Land
Chantilly Wildēornes – swamp 2017
HD digital video – 15:01min
Provenance
2023 WEST OF CENTRAL, Bathurst Regional Art Gallery, NSW
2019 Stillness & Motion, Adelaide Perry Gallery, Sydney
2017 Wildēornes Land, Blue Mountains Cultural Centre, Katoomba, NSW
East West
East West captures the changing sky from day to night, reflected in an antique mirror placed on the ground. Constructed from 3,000 photographs taken over twelve hours, the film considers the sky as an enduring navigational guide, historically used to traverse, map, contest and claim land.
Clouds and stars move across the mirror in a hypnotic sequence, compressing twelve hours into a shifting reflection. Recorded time (past) unfolds in the present, inviting contemplation of the relationship between time, landscape and our understanding of place.
East West
time-lapse film, sound
3:30min, 2015
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
2019 Stillness & Motion, Adelaide Perry Gallery, Sydney
2018 Black Box Projects, MAY SPACE, Sydney
2018 Silence & Solitude: select works from Eastern Interiors, Glasshouse Regional Gallery, Port Macquarie
2016 Length and Breadth: new acquisitions from the Parliament House art collection, Parliament House Canberra, ACT
2016 Eastern Interiors: explorations from Bathurst to Albury, Bathurst Regional Art Gallery, Bathurst, NSW
Purchased by Parliament House Art Collection, Canberra, 2015.
2015 Eastern Interiors: explorations from Bathurst to Albury, Murray Art Museum Albury, NSW
2015 Sydney Contemporary, Brenda May Gallery, Carriageworks, Sydney
Purchased by Bathurst Regional Art Gallery, 2015.
2015 Eastern Interiors: explorations from Bathurst to Albury, Brenda May Gallery, Sydney
Lament
Lament records the gradual deconstruction and reconstruction of an illuminated chandelier. In contrast to the Illumination photographs, where the chandelier hangs above the landscapes of eastern Australia as an assertion of colonial possession, here it is removed from the landscape, isolated and contained.
Crystal by crystal, the chandelier is dismantled in a slow, deliberate sequence, becoming a lament for the cultural and ecological losses inscribed upon Country. Played in reverse, its reconstruction suggests the enduring influence of colonial ideologies on how Country continues to be perceived and understood.
Presented on a continuous loop, Lament moves between dismantling and restoration, repeating without resolution.
Lament
time-lapse film
5:20min 2012
Provenance
2026 Transformations: Image, Time and Landscape, Nicole Welch: A Mid-Career Survey, curated by Richard Perram OAM, Bathurst Regional Gallery, Bathurst, NSW
Lament: Nicole Welch, Murray Art Museum Albury, 15 May to 12 June 2016.
Acquired by Bathurst Regional Art Gallery, 2015.
Acquired by Murray Art Museum Albury, 2015.
Love. Lament. Loss, Black Box Projects, Brenda May Gallery, 29 Sept to 24 Oct 2015.
Lament, Black Box Projects, Brenda May Gallery, 15 July to 9 Aug 2014.
Illumination: New Work by Nicole Welch, Bathurst Regional Art Gallery, 10 Aug to 23 Sept 2012.
© 2026 Nicole Welch. All rights reserved.